Painted and dated 1877, this oil painting depicts a Bedouin desert scene with resting camels as the central focus. Signed and dated lower right corner.
American artist Robert Swain Gifford (1840-1905) was an American landscape painter best known for his evocative coastal scenes and atmospheric landscapes. He was born on July 23, 1840, on Naushon Island, part of the Elizabeth Islands in Massachusetts. Early Life and Training Gifford moved with his family to New Bedford, Massachusetts, where he developed an early interest in art. He began formal training with Dutch artist Albert van Beest, who had a significant influence on his style, particularly in marine subjects. Travel and Influence Gifford’s artistic development was deeply shaped by extensive travel: In the 1860s, he visited California, painting its rugged coastlines. He also traveled to Europe, North Africa, and the Middle East, producing works inspired by exotic and arid landscapes, which set him apart from many of his contemporaries. Style and Legacy Gifford’s work blends luminism and tonalism, focusing on mood, light, and atmosphere rather than intricate detail. He painted in both oil and watercolor, often capturing tranquil, meditative scenes of marshes, harbors, and deserts. His art reflects a fascination with natural light and subtle tonal variation, and he was especially adept at portraying foggy seascapes and remote coastal views. Career Highlights Elected full academician at the National Academy of Design in 1867. Exhibited regularly at major institutions, including the Boston Art Club, the Pennsylvania Academy of the Fine Arts, and the Metropolitan Museum of Art. Received a medal at the 1889 Paris Exposition Universelle. Death and Recognition Gifford died in 1905 in New York. Today, his works are held in prestigious collections including: The Metropolitan Museum of Art The Smithsonian American Art Museum The Museum of Fine Arts, Boston.
Dimensions: 28.5” x 20.5” with frame and 22” x 14” without frame
Condition is very good. There are a few minor losses on the frame.
Sold as is. All sales final.
Painted and dated 1877, this oil painting depicts a Bedouin desert scene with resting camels as the central focus. Signed and dated lower right corner.
American artist Robert Swain Gifford (1840-1905) was an American landscape painter best known for his evocative coastal scenes and atmospheric landscapes. He was born on July 23, 1840, on Naushon Island, part of the Elizabeth Islands in Massachusetts. Early Life and Training Gifford moved with his family to New Bedford, Massachusetts, where he developed an early interest in art. He began formal training with Dutch artist Albert van Beest, who had a significant influence on his style, particularly in marine subjects. Travel and Influence Gifford’s artistic development was deeply shaped by extensive travel: In the 1860s, he visited California, painting its rugged coastlines. He also traveled to Europe, North Africa, and the Middle East, producing works inspired by exotic and arid landscapes, which set him apart from many of his contemporaries. Style and Legacy Gifford’s work blends luminism and tonalism, focusing on mood, light, and atmosphere rather than intricate detail. He painted in both oil and watercolor, often capturing tranquil, meditative scenes of marshes, harbors, and deserts. His art reflects a fascination with natural light and subtle tonal variation, and he was especially adept at portraying foggy seascapes and remote coastal views. Career Highlights Elected full academician at the National Academy of Design in 1867. Exhibited regularly at major institutions, including the Boston Art Club, the Pennsylvania Academy of the Fine Arts, and the Metropolitan Museum of Art. Received a medal at the 1889 Paris Exposition Universelle. Death and Recognition Gifford died in 1905 in New York. Today, his works are held in prestigious collections including: The Metropolitan Museum of Art The Smithsonian American Art Museum The Museum of Fine Arts, Boston.
Dimensions: 28.5” x 20.5” with frame and 22” x 14” without frame
Condition is very good. There are a few minor losses on the frame.
Sold as is. All sales final.
This painting is a perfect addition to a collection of Orientalist art.
